Muscle Memory – the last exhibition in Vunilagi Vou’s season of solos – opened last week with a beautiful gathering of friends, family and supporters of Genevieve Pini’s practice.
Photo by Leela BhaiPhoto by Leela BhaiPhoto by Leela BhaiPhoto by Anthony PiniPhoto by Anthony PiniPhoto by Anthony Pini
Muscle Memory features new work alongside archival pieces dating back to 2002. In an installation combining two eras of her practice, Pini presents her 2002 textile works made from cloth used to wipe the blood and ink from her father’s tatau with a 29 meter long red ribbon lei (garland) that she started making at the beginning of 2023. The installation configures the works on three mannequins – one male, one female and one clear form in between them. The opportunity to combine older and newer work reflects Pini’s ongoing enquiry into the experience and responsibilities of wearing her customary marks (tattoo) and the bonds across genealogy that never fade.
In a newer suite of works, Pini has brought a fascination in superhero capes to life. Interested in the idea of being from South Auckland as a super power, her three concept capes reference the exuberant displays of island origins and flag pride, school as a source of connection, belonging and community, and a darkness that is perhaps an inextricable part of South Auckland’s super power.
Starting in 2001, Manukau City Council (amalgamated into Auckland Council in 2010) produced a much loved design competition and runway show called Cult Couture. The homegrown annual event generated a community and culture amongst local artists where concepts like Pini’s capes were frequently presented, building a picture over the years of quintessential South Auckland / Manukau style and aesthetic. Pini herself entered numerous times, placed and won in 2007; she later styled some of her entries into an editorial for SOUTH magazine in 2012.
Muscle Memory is Pini’s first solo exhibition, and considers a practice that has quietly spanned two decades, from an era that included four years at Manukau School of Visual Arts and the experience of being tattooed with her customary marks, to the Cult Couture era, and her more recent practice of figurative self portraiture. Throughout her work, Pini’s interest in print and meditative processes endures.
Learn more about the artist and her South Auckland super powers this Friday for an Artist Talanoa – doors open at 6pm, all welcome!
Muscle Memory is Vunilagi Vou’s last programmed exhibition. Vunilagi Vou – the gallery – has seen 19 exhibitions produced and presented since June 2019. It has been fun! And challenging! And it’s time for a rest.
From 2024, Vunilagi Vou – the gallery – will operate as a studio for creative projects and occasional gatherings. The stockroom and retail space will remain open as a unique repository of small and large works, limited edition prints and a bespoke retail range, and Vunilagi Vou’s consultancy work, writing and publishing will absorb new energy and focus.
Muscle Memory is open until Saturday 10 December, outside of opening hours, appointments can be made any time by getting in touch via email, or here.
Spring was welcomed perfectly at Vunilagi Vou with Niu Lemalu’s solo exhibition, Let’s Play Outside, a suite of six new paintings made throughout 2023 with support of the Two Solos crowdfunding effort of late 2022. The exhibition’s opening in late August launched Vunilagi Vou’s revised and necessarily re-scheduled public programme after an unplanned hiatus in June/July.
Let’s Play Outside is Niu Lemalu’s second solo exhibition after his first 13 years ago at Fresh Gallery Ōtara. In this body of large-scale acrylic paintings on canvas and board, Lemalu has experimented with different painterly perspectives and techniques in studies of obscure internet meme culture and the virally bizarre.
Hasbulla’s Katon (2023), 1100x800mm, acrylic on board
Visitors to this exhibition have been painting enthusiasts, those intrigued with Lemalu’s obscure internet interests, and Vunilagi Vou supporters keen to see and experience a room full of new paintings made here in South Auckland.
In July, I delivered a paper entitled, Holding space for decolonisation in South Auckland at the Aotearoa New Zealand Association of Arts Educators (ANZAAE) Conference in Wellington, check it out here:
Also in July, I had the opportunity to visit Tonga-based artists Serene Tay and Visesio Siasau, who are building an incredible space for Moana Pacific art and talanoa in Haveluloto. It was the most inspiring two weeks of deep dives into Tonga-Fiji histories and connections, Lapita pottery, curating and holding space, socio-political dynamics of art and arts appreciation, galleries and gallery culture. I am deeply grateful and can’t wait to return in 2024!
It was a privilege to speak at two Moana Oceania Pacific art exhibition openings in September; Alteration by FAFSWAG at Māngere Arts Centre, and Straight from the Horse’s Mouth by Czarina Wilson at Celebrate Aotearoa in Glen Innes, East Auckland.
Alteration is a 10 year retrospective of the award-winning collective, FAFSWAG, symbolically delivered in South Auckland, where their story began. As I noted in my speech, this 10 year milestone is testament to FAFSWAG’s awe-inspiring dedication and continuous commitment to improving our world. Not just for Pride Festivals, or as commissioned entertainment at art industry events, not just in art and exhibitions, but as a continuously visible, active community of care and change-making. FAFSWAG has evolved our world. It was a privilege to speak alongside my dear friend and fellow South Auckland-based artist-curator, Nigel Borell to help open this important exhibition that runs until 28 October 2023.
Photo by Sam Hartnett
Tongan artist and creative entrepreneur Czarina Wilson made a beautiful solo exhibition to mark the first anniversary of her gift shop, Celebrate Aotearoa in its current site on Apirana Avenue in Glen Innes. Celebrate Aotearoa is an amazing retail environment that also holds space for workshops, pop-ups and gatherings.
Having taken a small hiatus from making to get Celebrate Aotearoa off the ground, Czarina Wilson returned to her practice to make a new body of work expanding on her signature style of woven textiles, appliqué and couture statement-wear. Straight from the Horse’s Mouth explores the quilting technique known in Tongan as monomono pani, a form of puffer patchwork that lends itself beautifully to geometric design. Observed and learned from the matriarchs of Wilson’s famili, this quilting technique is used to make blankets and bedspreads that become koloa – items of cultural value gifted and received within the Tongan community.
Central to this body of work is a three-piece collection originally made for the 2023 Hokonui Fashion Awards. Produced after a break from fashion design, the collection represented a triumphant return to the catwalk after almost a decade. The garments are detail-driven, labour-intensive, and hark back to Wilson’s passion for urban Polynesian streetwear and popular culture.
The two wall works in this exhibition speak to the ways the artform of monomono connects across generations, from the cradle to the grave. They remind us that blankets hold us and wrap around us, make us feel safe, and protected. Fabrics carry story, memory, sensory nostalgia; they exist next to our skin, absorbing our tears, fears and energy.
Muscle Memory will take Vunilagi Vou’s programme out for 2023. It has been a rocky year with an unplanned closure, a stop-start momentum, and losing out on multiple applications for Creative New Zealand arts grant investment. As a result, 2024 will bring around another neccessary shapeshift.
In the last solo exhibition of this year’s ‘Season of Solos’, Ōtara-based artist Genevieve Pini presents a body of new work that has been on a slow-boil for two decades.
Muscle Memory is the outcome of Vunilagi Vou’s BoostedxMoana crowdfunding effort from late 2022. The project saw two South Auckland artists – Niu Lemalu and Genevieve Pini – develop solo exhibition exhibitions throughout 2023, and show for the first time at the Aotearoa Art Fair.
Genevieve Pini’s visual arts practice draws on training in photography, jewellery, print and textiles. Whilst studying at Manukau School of Visual Arts in Ōtara, Pini received her malu (customary Sāmoan female tattoo), an experience and visual vocabulary that has had an enduring impact on her life and work. Blood, bloodlines and genealogical connection have carried through much of her making, often employing the colour red and in some works, the actual material used to wipe blood and ink from her tattoos.
Courtesy of Genevieve PiniCourtesy of Genevieve Pini
Interested in meditative processes, adornment and making as a mode of cultural transmission, Pini has exhibited in group exhibitions since 2004, often reflecting on the idea of protection, strength and the everyday ways that Sāmoa is present in people, ritual, time and space.
Muscle Memory is Pini’s first solo exhibition, a significant and daunting project. The process of development has involved lengthy talanoa about what experiences in our lives form memory, and how those memories are held in our bodies, actions and behaviours. The title also speaks to Pini’s active dedication to Brazilian Jiu-Jitsu as a wellbeing practice that conditions her body and mind.
Vunilagi Vou is proud to present Muscle Memory to close out the 2023 programme.
Please join us for the Muscle Memory exhibition opening from 6-9pm on Wednesday 25 October 2023.
Please join us to celebrate the re-start of Vunilagi Vou’s 2023 season of solos programme after an unplanned hiatus!
On Wednesday 30 August, we welcome guests to Vunilagi Vou to celebrate the opening of an exhibition of new paintings by Sāmoan painter, Niu Lemalu.
OPENING: 6pm, Wednesday 30 August
EXHIBITION DATES: 31 August - 14 October 2023
VUNILAGI VOU
Suite 14 / 15 Bishop Lenihan Place
East Tāmaki
South Auckland
+ Parking outside the main gate and on Bishop Lenihan Place
GALLERY OPENING HOURS: 10am - 2pm, Thurs - Sat
+ Viewing by appointment any other time
APPOINTMENTS: hello@vunilagivou.com
Let’s Play Outside has been produced with support from Boosted x Moana donors and Creative New Zealand.
Today, we were scheduled to open South Auckland-based Sāmoan painter, Niu Lemalu’s solo exhibition, Let’s Play Outside. The exhibition project, that has been supported with last year’s BoostedxMoana crowdfunding effort, has been a joy to curate. Niu started making a new body of work at the end of last year and has been working solidly since then. He showed two new paintings in Vunilagi Vou’s Aotearoa Art Fair booth, which offered us excellent insights to where his work sits in the wider contemporary art landscape.
“The Runner” (2023)Niu and partner, Nicole, with Marilyn Kohlhase at Aotearoa Art Fair
Niu Lemalu and Genevieve Pini’s solo shows were programmed to run back-to-back with my own solo, Backbone, opening up Vunilagi Vou’s ‘season of solos’ in April.
Whilst Backbone was opened and closed without disruption, and a really lovely way to break in the gallery for 2023, I found out that I’m needing to have a fairly major surgery in July, so our ‘season of solos’ programme has hit a small obstacle and is being pushed out by two months.
Such is life for a one-woman operation; there are no staffing back-ups for Vunilagi Vou, so major gratitude to Niu and Genevieve for rolling with the punches. Gratitude also to everyone who has offered support, kindness and advice as we navigate these unknown waters.
Our new dates are now confirmed, and opening Niu’s solo, Let’s Play Outside will now feel like even more of a milestone!
Genevieve Pini’s new exhibition dates are also confirmed as 26 October – 10 December 2023 – her first ever solo, Muscle Memory will bea beautiful exhibition project to round out a big year!
The VV First Fridays event series will also be on hold for August. But July’s event is going to be a goody! Inspired by recent political rhetoric amongst New Zealand’s right-wing parties denouncing the existence of systemic racism and White Privilege in New Zealand health system, we are turning political rage (slash disbelief) into beautiful expressions of visual resistance.
Inspired by the Reap What You Sew (2017) project by US artist, Stephanie Syjuco and her excellent free resource, “Making Protest Banners: Tips + Tricks”, Vunilagi Vou is excited to hold space for some experimentation, talanoa and inspiration.
Materials + snacks provided, and assistance from excellent Tongan designer and textile artist, Czarina Wilson.
Registration is open to Moana artists and communities, and those from our creative and cultural ecologies: click here to secure a spot.
I’m excited to be speaking next week at the Aotearoa New Zealand Association of Arts Educators conference in Wellington. Perhaps especially meaningful because the venue for my presentation is Wellington High School, where I had powerful and transformative experiences as a student who only really enjoyed going to art classes. I’ll be discussing some of the wider philosophies of Vunilagi Vou in a paper entitled, Holding Space for Decolonisation in South Auckland.
Vunilagi Vou sits on the edge of this pocket of environmentally protected wetlands in East Tāmaki, South Auckland.
Whilst it’s wind-down time in preparation for surgery, I’m focused on the other side of recovery and look forward to sharing space with folx in late August and onwards.
As we approach our 4th anniversary, remembering every anniversary has in fact been within the Covid-19 pandemic and aftermath, it’s a pleasure to present the 2023 programme for Vunilagi Vou x East Tāmaki.
This fourth site of Vunilagi Vou, officially opened in August 2022, has been a flexible, evolving space. It has taken time to work out how to operate here and what this gallery space needs… it has taken time to recalibrate after a period of spacelessness in early 2022, and it has taken time to find resource from contestable funding programmes. There have been some hits, some misses, but each time, the needle has shifted again on what is possible here.
In late 2022, a grant was secured from Creative New Zealand to research and develop a solo exhibition – my own! It was the first time I have applied for and secured investment for my individual art practice. My project started with the concept of vanua from a Fijian perspective – “Fijian interconnectedness inclusive of culture, chiefs, knowledge systems, relationships, values, land, and spiritualities” (Fijian Vanua Research Framework definition, here). I was and continue to be interested in the shifting dynamics of being Tangata Moana / Tangata Tiriti in Aotearoa and the comfort/discomfort of being an indigenous settler on land violated by ongoing colonial violence.
Through extensive talanoa with Kaliopate Tavola, my father and Head of Mataqali Navusalevu, the second Mataqali in Dravuni Village in Kadavu, Fiji, the project became anchored in a visual exploration of what is known as Lapita pottery. Like footprints of ancestors, this pottery practice maps time, space and connections across Oceania, its decorative patterning a kind of DNA for visual vocabularies we use to this day. This early exploration of Lapita pottery also coincided with a chance reconnection with Tonga-based artist Serene Tay; conversations about pottery, healing, gallery building and spirituality with Serene between Wellington and South Auckland were pivotal – I’m so thankful our paths crossed like they did.
Experimenting in clayEma + Serene Tay, Wellington, November 2022Talanoa with Kaliopate Tavola, Paekākāriki, November 2022
The grant from Creative New Zealand offered me time and space to dive deeper and expand my thinking and experimental making. The gallery became a shared studio space, I returned to working with textiles and painting on loose canvas – approaches I had used as a young artist moving from Suva, Fiji to South Auckland. I’ve loved making work again, finding resolutions through assembling and mark-making, arriving at understanding through quiet contemplation.
Phallus Palace (2001)Colour Me Fiji Sulu Project (2005)Identity Complex Identity (2006)Regionalism (2009)
I use the title ‘artist-curator’ as a nod to the Cook Islands curator, Jim Vivieaere (1947-2011), who was a mentor and groundbreaker for Moana Pacific curatorial practice. I’ve long asserted that my curatorial work is an extension of my visual arts practice, but this exhibition project has reminded me that curating is a collective, outward practice, creating an identity statement with many parts, and facilitating the ways and means that statement is delivered and received. Being an artist is, in my experience, deeply introspective, a practice of trying to understand where individual experience fits within a wider collective experience.
I’ve so enjoyed remembering the ‘artist’ part of being an artist-curator.
My solo exhibition, BACKBONE is a body of new paintings and textile assemblages.
Racism is Tiring (2023) | Textile assemblage | 900x1420mm
BACKBONE kicks off a season of solo shows at Vunilagi Vou here in East Tāmaki.
In late June, Papatoetoe-based painter, Niu Lemalu presents his second solo exhibition, Let’s Play Outide and in August, Ōtara-based interdisciplinary artist, Genevieve Pini presents her highly anticipated first solo, Muscle Memory.
Please help us to kick off a season of solos!
BACKBONE opens with a Private View / Opening on Thursday 27 April from 6-9pm and then runs until 10 June 2023.
Vunilagi Vou is open Thursday – Saturday from 10am – 2pm, and by appointment. Parking is available outside the main gate.
Vunilagi Vou is located at 14/15 Bishop Lenihan Place, East Tāmaki, South Auckland.
With support from Creative New Zealand, Vunilagi Vou presented a salon of South Auckland at the 2023 Aotearoa Art Fair (2-5 March) at The Cloud on Auckland’s waterfront.
From opening night through to pack-down, we had a steady stream of visitors – many visiting the Aotearoa Art Fair for the first time, lots of artists, arts workers and appreciators from the Moana Pacific arts sectors and social networks, and a lot of new faces – folks encountering Vunilagi Vou for the first time.
It was great to be present in this space as a first-time booth-holder, and fascinating to see the working cogs of the Aotearoa art market through the lens of the Fair.
Gratitude to Mereia Carling, who spent a day transiting through Auckland, working the Vunilagi Vou booth! And to dear friend, exhibiting artist and non-stop Vunilagi Vou supporter, Nigel Borell, for working, talking, networking and Instagramming the booth for the duration of the event!
Last year we set the wheels in motion to present solo exhibitions by two South Auckland-based artists, Niu Lemalu and Genevieve Pini, here at Vunilagi Vou in 2023. Through the BoostedxMoana initiative (a partnership between Boosted [The Arts Foundation] and Creative New Zealand), we crowdfunded $10k to support the artists and the presentation of their new work.
Presenting work at the Aotearoa Art Fair was part of the process of preparing for their solos; we got to expand awareness for their practices, and gauge the ways audiences responded to their ideas. One of the best outcomes of the whole project was that both Niu and Genevieve sold their work at the Fair – an excellent endorsement and motivation in preparation for their solos.
It was also really wonderful to host members of both Niu and Genevieve’s families at the Fair. I’ve always enjoyed the ways family members talanoa about the artists in their lives. It’s gratifying to present the work of these artists within a wider context of the art market to illustrate a value system that they sit within.
Lemalu aigaGenevieve Pini + Niece
The Art Fair was a great focus for the first quarter of the year and at the end of April, we launch a season of solos at Vunilagi Vou that will take us through to October!
Vunilagi Vou’s stockroom is currently being re-hung to accommodate for some of the unsold works from the Art Fair, including some of Nigel Borell’s gorgeous works on paper, one of which was the Atomic Coffee Roasters annual commission.
Whilst the exhibitions programme doesn’t kick off until the end of April, the VV Stockroom is open Thursday – Saturday, 10am – 2pm, or via appointment.
In a gentle start to the year, Vunilagi Vou’s first VV First Fridays event is on Friday 3 February and tackles the topic of courage.
The VV First Fridays event series was supported in 2022 by Creative New Zealand as a means to build community amongst Moana Pacific artists and the wider creative ecology here in South Auckland. The series of 10 events take place on the first Friday of the month from February to November, a low-key creative social club to get inspired, motivated and thoughtful at the start of each month.
In February, Vunilagi Vou invites anyone interested to come and listen to two inspiring Fijian creative thinkers talking story about their experiences of courage; when it’s needed, how to harness it and where it comes from.
Mereia Carling and Gina Cole have both had careers that have moved between creative pursuits and high-level professional roles in the fields of regional development and law. Courage is something they’ve both discussed, encouraged and inspired in those they’ve worked with and served, but like everyone, it has also been something they’ve had to understand and harness in their personal lives.
This conversation about courage is less a TED-talk and more a story sharing space; how does a Fijian lawyer become a Taekwondo practising sci-fi writer dreaming of worlds of Pasifikafuturism? How does a graduate of a fashion and textiles design training in Bristol, England end up working in child rights across the Pacific, and painting portraits of ancestors in Wellington?
Sometimes, being around a conversation about courage is enough to shape, inspire and mobilise courageous acts.
Vunilagi Vou is proud to welcome guests for the first time in 2023 to meet two inspiring and courageous women, break bread, kick back and enjoy a hazy summer evening at VVxET in East Tāmaki on Friday 3 February – doors open at 6pm, all welcome!
Vunilagi Vou is located at Suite 14, 15 Bishop Lenihan Place, East Tāmaki, South Auckland – more details here.
Public parking is available outside the main gate; entrance to the compound is via pedestrian gates.
Refreshments provided.
The venue is wheelchair accessible, please get in touch to make special arrangements.
Mereia Carling
Mereia Carling is a Fijian with i-Taukei and Pākeha ancestry. Born in Aotearoa New Zealand, she has only lived in this country for three years, moving just before the pandemic – a journey of courage that took her to the sheer edge of sanity. Not the first one however, moving countries and changing careers – finding and following her destined path – has been and continues to be a journey of self-discovery, finding faith and the ancestors, and depths of courage she did not know she had. While she works a paid job that advances human rights for children and youth across Aotearoa New Zealand’s international development cooperation, she is an artist at heart. Qualified as a designer of fashion and textiles, she previously worked as an artist and designer before venturing into the development world. She has been writing her ‘story’ for the last 14 years to document her journey of courage, and has recently found enough life/work balance to start painting again.
Gina Cole
Gina Cole (Fijian, Pakeha) MNZM, writer, lives in Tāmaki Makaurau. She won Best First Book Award at the 2017 Ockham NZ Book Awards for her collection Black Ice Matter. Her work has been widely anthologized and has appeared in numerous publications. She has appeared at many writing festivals, conferences and residencies including Auckland Writers Festival, Same Same but Different LGBTQIA+ Writers Festival, CoNZealand World Science Fiction Online Conference, Brisbane Writers Festival, Michael King Writers Centre Established Pasifika Writer’s Residency, Iowa International Writers Residency, Sitka Island Institute Alaska Residency and Varuna Writers House Residency, Katoomba, Blue Mountains, Australia. She is a qualified barrister & solicitor and practised law for many years. She holds a Masters of Creative writing and PhD in Creative Writing and is an Honorary Fellow in Writing at the University of Iowa. Gina has written two short film scripts for PISA Screen Fit. She also works as a background extra and has appeared in multiple film and television productions including The Rings of Power, One of Us is Lying, Sweet Tooth, The Wilds, Whina, Our Flag Means Death, Shortland Street, Brokenwood Mysteries and many others. Her science fiction fantasy novel Na Viro (Huia) is a work of Pasifikafuturism.
This year has seen some of the hardest pivots of the pandemic but has ended on December 31, on solid ground.
Operating in ‘low power mode’ for the first few months of the year, Vunilagi Vou was a spaceless entity. With no gallery and relatively few options for storage, Vunilagi Vou tables, chairs, stools and gallery furnishings were re-distributed into the community. The remaining gallery resources went into a small storage unit and the future was a ‘work in progress’.
A project to produce and install a pop-up exhibition curated by Nigel Borell for the Taste of Pasifika four day festival at The Cloud on Auckland’s waterfront was undertaken precariously between a garage in Sandringham, a campervan and a pergola in Papatoetoe. The exhibition, Moonwalkerz, ran for the duration of the festival and also offered an unplanned opportunity for Vunilagi Vou to have a booth at the event.
PlansProduction by Robert & ToddPainting in PapatoetoePhoto by Sam HartnettMoonwalkerz artistsExhibition view | Photo by Sam Hartnett
Installing the exhibition and then working the festival for four days was an act of endurance, but incredibly rewarding. I remembered in the process what I love about the space between art and audiences, holding space for conversations, generating sales for artists and makers, and I remembered the intoxicating energy of Pacific people when we gather, connect, sing and celebrate.
Check out Moonwalkerz exhibiting artist profiles here and the digital catalogue designed by award-winning design agency, Extended Whānau here.
Louisa WallJessica PalalagiJeanine ClarkinTim MelvilleDr Gina ColeVunilagi Vou booth | Photo by Sam Hartnett
A one-off grant from Creative New Zealand’s Pacific Creative Enterprise initiative and the energy of Pasifika Festival created a new momentum in mid-2022; a strategic decision was made to open the doors of a fourth iteration of Vunilagi Vou. The East Tāmaki premises of Vunilagi Vou sits on the edge of environmentally protected wetlands surrounding the Ōtara Stream, in the heart of the Ōtara catchment area. It is a fairly unusual location on the border of the suburbs of Ōtara and Flat Bush / Ormiston nestled amongst predominantly Korean eateries, acupuncturists and physios. But it’s the watery outlook, the peace of the green expanse and the contrast of all the above that makes Vunilagi Vou: East Tāmaki a challenging and exciting space to make exhibitions.
VVxET opened in late August with a day-long opening; time for long conversations, tea, views, rolling waves of visitors. This new space requires a different approach to openings.
Read more about VVxET’s first exhibition and open day here.
Maka (2022), a mauri stone by Niuean artist, Chris van Doren in the foreground, work by Ercan Cairns in the background. Photo by Sam Hartnett.
In October, Vunilagi Vou collaborated with Koleta Boutique, another Fijian-owned business located here at 15 Bishop Lenihan Place, East Tāmaki, on a stall at Auckland’s first Melanesian Festival. The day was a triumph of representation and Melanesian visibility; completely uplifting, inspiring and empowering.
Arlo George + GarethJulia Mage’au & Emmaline MartinMary, proudly bearing the West Papuan Morning Star flag appropriately at Auckland’s first and independent Melanesian Festival. Papua Merdeka – Free West Papua!
Check out this interview for Pacific Cooporation Foundation on the Melanesian Festival here.
Speaking engagements this year were mostly in the form of contributions to panel discussions. In October, I contributed to a discussion on creative entrepreneurship at the CNZ Pacific Arts Summit in Wellington (see below), and in November, made a small contribution to an inspiring gathering of young curators to discuss expanded approaches of curatorial work in Aotearoa at the Aotearoa Art Fair in central Auckland.
But a most special speaking engagement was the opportunity to contribute to the independently run Camp Boom programme produced by Joanna McLeod of House of Boom in Wellington. Delivering an invitational presentation on making space for fat liberation was a beautiful opportunity to reflect on Vunilagi Vou’s FATFEB seasons inspired by Ōtāhuhu-based artist Lissy Cole, and the late Dr Cat Pausé.
Serene TayLinsey HigginsJoanna McLeod
The whole Camp Boom programme was so well designed and the venue in downtown Wellington was excellent. The community that came to be amongst it created an amazing energy; sovereign bodies, unshackled from the boring capitalist restraints of fatphobia are glorious to be around. Big ups to Joanna and the House of Boom team; a kaupapa worthy of so much support and investment.
After the ‘low power mode’ of early 2022, the second half of the year saw a rabid return to the rigours of arts fundraising. We crowdfunded with Boosted to generate $10k towards holding two solo exhibitions for local artists, Niu Lemalu and Genevieve Pini in 2023, a particularly challenging feat in the current economic climate. CNZ grants were also secured to support the delivery of a third solo exhibition for the 2023 programme, and a lo-fi programme of events delivered on the first Friday of every month from February to November 2023, an event format first trialled in September – read about it here.
Another small grant was secured to support Vunilagi Vou’s first booth at the Aotearoa Art Fair from 2-5 March 2023, something that has been on the goals list since opening our doors in 2019. Developing this plan has been so exciting; I can’t wait to start building the momentum for this!
In December, I posted a series of Tweets along with other South Aucklanders speaking back to the lazy stereotyping of National Party leader, Christopher Luxon in an interview discussing his perspectives on the ways in which young people in South Auckland are drawn to criminality. The thread turned into a short article for The Spinoff and was shared and discussed widely, notably quoted by the iconic MP Debbie Ngarewa-Packer, co-leader of Te Pāti Māori, in her regular opinion piece for the NZ Herald (14 December 2022).
2022 was a year of bold moves, re-thinking, a bit of whistle blowing, building and cultivating a new ecosystem around Vunilagi Vou’s new locality in East Tāmaki.
Green Party HuiMP Teanau TuionoEmil ScheffmannPeni Tawake
To the 150+ individuals who contributed to our crowdfunding campaign; your generosity and investment has been transformational. Words can’t express what it means to be supported by our communities in a cost of living crisis, and a pandemic. This investment in Vunilagi Vou, and artists Niu Lemalu and Genevieve Pini, gives our 2023 programme serious weight. Thank you so much.
Vinaka vakalevu for tremendous support, unwavering belief and investment in the work of Vunilagi Vou in 2022.
2023 is going to be exciting, hard and rewarding. Like Fiji in a post-Fiji First regime era, onwards and upwards!
For Fiji Ever Fiji | Ema & Lanuola, December 2022
Happy New Year!
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Image credit: The header image for this post featuring Nigel Borell, Chantelle Whaiapu, Ema Tavola and Tanya Kaihe (background) alongside Leisa Siteine, was taken in Manukau City on 21 December 2022 at a dinner celebrating Leisa’s contributions and leadership within local government, from humble beginnings as an aerobics instructor to the founding manager of Manukau Arts, and outgoing Event Production Manager at ATEED. It was a massive privilege to have worked with Leisa from 2006-2012, and again for Taste of Pasifika in 2022.
